NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

NEW LOOK, SAME STORY. QUEER BOOKS FOR SYDNEY AND BEYOND SINCE 1982.

Noah Isenberg

We'll Always Have Casablanca: The Life, Legend and Afterlife of Hollywood's Most Beloved Film

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Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, seventy-five years after its premiere.

Paperback, 334 Pages, Orig. Publ. 2017, This Ed. Publ. 2018

Author: Noah Isenberg

Reviews:

“Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.”— Sam Wasson, author of Fifth Avenue, 5 A.M.

“Combining trenchant analysis of the film’s poetic and political power with a well-researched and playful account of its legacy, We’ll Always Have Casablanca is a necessary book and perhaps even an urgent one.” — Noah Gittell, Los Angeles Review of Books

“As Noah Isenberg details in his excellent new book We’ll Always Have Casablanca, the 1942 film is a case study of how history gets depicted for popular entertainment, but it is also a powerful example of how the Hollywood machine produced work that intersected with political commitment while still holding fast to its romantic conventions.” — Michael S. Roth, Chronicle of Higher Education

“Noah Isenberg brings an appropriate passion to his pop analysis of Casablanca, along with a delight of details and some savvy reassessments.” — John Anderson, Newsday

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