Kevin Goetz

Audience-ology: How Moviegoers Shape the Films We Love

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Discover the fascinating and secretive process of audience testing of Hollywood movies through these first-hand stories from famous filmmakers, studio heads, and stars.

Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. This book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics.

Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,” Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La LandChicagoTitanic, Wedding CrashersJaws, and Forrest Gump.

Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history.

Author: Kevin Goetz

Paperback  Published 1 January 2023  240 pages

Originally published in hardcover  2 March 2022  

"Kevin’s analysis of my movies has been invaluable over the years. With a comedy, the number one objective is to find out, is it funny, and how do we make it funnier. Kevin is the best in the business.”—Sacha Baron Cohen, actor, writer, and producer

“It takes about two years for my brother Bobby and I to make a movie—from writing it, casting it, shooting it, editing it—then one day you have to show it to the world and find out whether you just wasted two years of your life. Kevin is always at that nerve-wracking first screening—front and center—and thank God he is, because he’s like a movie whisperer who somehow knows all the right questions to ask the audience, so by the end of the night we know what’s working, and we know what’s not, and, most importantly, we know how to make the movie better. That’s Kevin’s job in a nutshell—to make movies better. And he does.”—Peter Farrelly, director, writer, producer, and Academy Award winner

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